Film poster and openings for Hitchcocks film, designed by Saul Bass. Two colour print and hand cut type used for the typography, with its edgy feel to it the type has come from German design. The idea of the swirl and curves for this idea of vertigo and being lost into the warp.
Opening title sequence for the film. Due to the voyeurism within the film, showing close up of eyes for an intense eery beginning, with this dramatic effect into the swirls.
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